Thomas Borchert, Alexandra-Yoana Alexandrova, Philip Schwarz's 'Minas Verführung (Für immer kommt ein Morgen) (Live)' came out on March 25, 2022. With this song being about 5 minutes long, at 4:42, "Minas Verführung (Für immer kommt ein Morgen) (Live)" by Thomas Borchert, Alexandra-Yoana Alexandrova, Philip Schwarz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 38 in Dracula - Das Musical (Live aus der Wilhelmsburg Ulm 2021) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Minas Verführung (Für immer kommt ein Morgen) (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minas Verführung (Für immer kommt ein Morgen) (Live) by Thomas Borchert, Alexandra-Yoana Alexandrova, Philip Schwarz is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das geistige Gefängnis | SCHOLL - Die Knospe der Weißen Rose - Live | Titus Hoffmann, Thomas Borchert, Alexander Auler | D Major | 10 | 10B | 113 BPM | ||
Fright of Their Lives | Alex Brightman, Rob McClure, Kerry Butler, Beetlejuice Original Broadway Cast Recording Ensemble | A Major | 7 | 11B | 144 BPM | ||
Out of Sight, out of Mind (feat. Natalie Toro) | Jill Santoriello, Natalie Toro | A♭ Minor | 5 | 1A | 89 BPM | ||
The Mad Hatter | Kate Shindle, Wonderland Ensemble | E Minor | 5 | 9A | 98 BPM | ||
Anything You Can Do | Bernadette Peters, Tom Wopat | B♭ Major | 6 | 6B | 82 BPM | ||
A Terrible Ride | Lizard Boy Original Cast, Justin Huertas, Kirsten Delohr Helland, William A. Williams | E Minor | 4 | 9A | 81 BPM | ||
Gemeinsam | SCHOLL - Die Knospe der Weißen Rose - Live | Titus Hoffmann, Thomas Borchert, Sandra Leitner, Alexander Auler | D Major | 10 | 10B | 113 BPM | ||
And Eve Was Weak | Marin Mazzie, Molly Ranson | F Minor | 7 | 4A | 83 BPM | ||
Storybook | The Scarlet Pimpernel | A♭ Major | 3 | 4B | 100 BPM | ||
Könige | Frank Wildhorn, Thomas Borchert, Dean Welterlen | B♭ Major | 4 | 6B | 175 BPM |
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