The City of Prague Philharmonic Orchestra's 'Lara's Theme - From "Doctor Zhivago"' came out on October 31, 2005. The duration of Lara's Theme - From "Doctor Zhivago" is about 3 minutes long, at 3:17. Based on our data, "Lara's Theme - From "Doctor Zhivago"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Reel Love - The Cinematic Romance Album". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Lara's Theme - From "Doctor Zhivago" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lara's Theme - From "Doctor Zhivago" by The City of Prague Philharmonic Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flower Girl (La Violetera) | Charlie Chaplin | E♭ Major | 3 | 5B | 133 BPM | ||
Shindler's List | John Williams, Alvaro Siviero, Filharmonici mesta Prahy, Nic Raine | D Minor | 2 | 7A | 103 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
GODFATHER PART III, THE - Marcia Religiosa | Raine, The City of Prague Philharmonic Orchestra | C Minor | 2 | 5A | 120 BPM | ||
The Godfather: II. The Immigrant (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | F♯ Minor | 1 | 11A | 87 BPM | ||
Kay | Carmine Coppola | C Major | 2 | 8B | 87 BPM | ||
La Traviata: Prelude to Act I | Bonn Classical Philharmonic | B Major | 0 | 1B | 120 BPM | ||
Buongiorno Principessa (From "La vita è bella") | Nicola Piovani, Esther Abrami, The City of Prague Philharmonic Orchestra, Ben Palmer | A Major | 2 | 11B | 87 BPM | ||
Bullitt - Main Theme | N.Y. Jazz Orchestra directed by Bill Ashton | C Major | 2 | 8B | 83 BPM | ||
Main Title From Carrie | Pino Donaggio, Prague Philharmonic Chamber Orchestra | C Minor | 1 | 5A | 115 BPM |
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