Johann Heinrich Schmelzer, Ensemble Aurora, De Labyrintho, Enrico Gatti, Paolo Pandolfo's 'Sacro-profanus concentus musicus: Sonata No. 6 a 6' came out on September 6, 2011. The duration of Sacro-profanus concentus musicus: Sonata No. 6 a 6 is about 3 minutes long, at 3:07. Based on our data, "Sacro-profanus concentus musicus: Sonata No. 6 a 6" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Schmelzer: Sonatas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. Based on our statistics, Sacro-profanus concentus musicus: Sonata No. 6 a 6's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sacro-profanus concentus musicus: Sonata No. 6 a 6 by Johann Heinrich Schmelzer, Ensemble Aurora, De Labyrintho, Enrico Gatti, Paolo Pandolfo having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Sonata "La guerra" in A Major: 4. Adagio | Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel | C Minor | 1 | 5A | 34 BPM | ||
Sonata natalis in D Major | Johann Heinrich Schmelzer, Musica Fiata, Roland Wilson | D♭ Major | 0 | 3B | 88 BPM | ||
Overture In G Minor: I. Ouverture | Johann Bernhard Bach, Ensemble Masques | G Major | 1 | 9B | 128 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata quinta in C Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | B Minor | 1 | 10A | 88 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B Minor | 0 | 10A | 81 BPM |
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