Anonymous , Dmitri Shostakovich, Dallas Wind Symphony, Frederick Fennell made "The Golden Age Suite, Op. 22a: III. Polka (arr. for wind ensemble)" available on March 1, 2012. The duration of The Golden Age Suite, Op. 22a: III. Polka (arr. for wind ensemble) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. The Golden Age Suite, Op. 22a: III. Polka (arr. for wind ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Beachcomber by Dallas Wind Symphony, Frederick Fennell. In terms of popularity, The Golden Age Suite, Op. 22a: III. Polka (arr. for wind ensemble) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Golden Age Suite, Op. 22a: III. Polka (arr. for wind ensemble) by Anonymous , Dmitri Shostakovich, Dallas Wind Symphony, Frederick Fennell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum (Gregorian) | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | A Minor | 2 | 8A | 137 BPM | ||
Messe de la toussaint : Kyrie iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Minor | 0 | 4A | 127 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
Messe de la toussaint : Sanctus iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | D Minor | 0 | 7A | 88 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Kyrie V - Kyrie magnae Deus potentiae, Vat. V/In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | E Minor | 0 | 9A | 75 BPM | ||
Our Father | Bulgarian National Choir | E♭ Minor | 2 | 2A | 78 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
Serenade | Lege Artis Chamber Choir | B♭ Major | 1 | 6B | 127 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM |
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