The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 - Johann Sebastian Bach, Emerson String Quartet Information

Acousticness: 93%
Danceability: 41%
Energy: 16%
Instrumentalness: 77%
Liveness: 18%
Loudness: 66%
Speechiness: 4%
Valence: 64%
Popularity: 16%
Loudness: -20.232 dB

Summary

Johann Sebastian Bach, Emerson String Quartet made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5" available on January 1, 2003. The duration of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 BPM

The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 by Johann Sebastian Bach, Emerson String Quartet is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 5 Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	F Minor	1	4A	101 BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	129 BPM
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro	Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana	F Major	3	7B	140 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)	Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus	D Major	1	10B	83 BPM
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione	Muzio Clementi, Balazs Szokolay	B♭ Major	1	6B	132 BPM
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro]	George Frideric Handel, Akademie für Alte Musik Berlin	E Major	0	12B	97 BPM
Overture-Suite in A Minor: Les Plaisirs	David Munrow, Sir Neville Marriner, Academy of St. Martin in the Fields	A Minor	2	8A	141 BPM
Concerto Grosso In D Major, Op. 6, No. 4 : II. Adagio	Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana	B Minor	0	10A	142 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro	Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Monica Huggett, Reine-Marie Verhagen, Ricardo Kanji	F♯ Major	2	2B	94 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6657516956329346

End: 0.6688745021820068