Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Divertimento in D, K.131: 1. (Allegro)' came out on May 5, 1998. With this song being about 5 minutes long, at 5:09, "Divertimento in D, K.131: 1. (Allegro)" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Jeffrey Tate, London Symphony Orchestra, Saint Paul Chamber Orchestra, Pinchas Zukerman, Academy of St. Martin in the Fields, Iona Brown, Sir Colin Davis, John Eliot Gardiner, Sir Neville Marriner, English Chamber Orchestra's "Mozart For The Morning Commute - A Lively Bit Of Traveling Music" album is number 2 out of 42. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Divertimento in D, K.131: 1. (Allegro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divertimento in D, K.131: 1. (Allegro) by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: I. Allegro - Live At Prinzregententheater, Munich / 2011 | Wolfgang Amadeus Mozart, Ferruccio Busoni, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | A Major | 1 | 11B | 139 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 99 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. Allegretto | Ludwig van Beethoven, Jenő Jandó | G Minor | 1 | 6A | 123 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM |
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