"Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle)" by Jean-Baptiste Lully, Guillemette Laurens, Jean-François Gardeil, Les Arts Florissants, William Christie was released on February 28, 1987. The duration of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) is about 3 minutes long, at 3:16. Based on our data, "Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully, Les Arts Florissants, William Christie's "Lully: Atys" album is number 3 out of 74. On top of that, France appears to be the country where this track was created. The popularity of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atys, Acte II, Scène 2: "Je veux joindre" (Cybèle) by Jean-Baptiste Lully, Guillemette Laurens, Jean-François Gardeil, Les Arts Florissants, William Christie to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM |
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