"Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde)" by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 11 out of 205. On top of that, United States appears to be the country where this track was created. Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walkure: Act II Scene 3: Hinweg! Hinweg! Flieh die Entweihte! (Sieglinde) by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | C Major | 2 | 8B | 82 BPM | ||
Die Walküre, Act III Scene 3: Leb wohl, du kühnes, herrliches Kind "Wotan's Farewell" | Richard Wagner, Samuel Youn, Symphonic Revolution Orchestra, Kwang Hyun Kim | E Major | 1 | 12B | 82 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM |
Section: 0.7709801197052002
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