| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Hasn't Heard It Yet | Jamie O'Neal | B♭ Major | 5 | 6B | 176 BPM | ||
| November | Emerson Drive | A Major | 7 | 11B | 94 BPM | ||
| Reckless | Martina McBride | E Major | 9 | 12B | 102 BPM | ||
| One Last Time | Kellie Pickler | D Major | 4 | 10B | 140 BPM | ||
| Ellsworth | Rascal Flatts | F Major | 6 | 7B | 136 BPM | ||
| In Terms Of Love | SHeDAISY | D Major | 8 | 10B | 146 BPM | ||
| While He's Still Around | Florida Georgia Line | A♭ Major | 5 | 4B | 146 BPM | ||
| Stealing Cinderella | Chuck Wicks | A♭ Major | 4 | 4B | 69 BPM | ||
| That's Beautiful to Me | Jaron And The Long Road To Love | G Major | 4 | 9B | 75 BPM | ||
| I Don't Even Want This Beer | Tyler Farr | B Minor | 7 | 10A | 146 BPM | ||
| Only Midnight | The Shires | A Major | 6 | 11B | 118 BPM | ||
| Fingerprints | Kellie Coffey | A♭ Major | 4 | 4B | 146 BPM | ||
| Love Me Like There's No Tomorrow | Trace Adkins | A Major | 5 | 11B | 146 BPM | ||
| We Got Us | Canaan Smith | D Major | 7 | 10B | 150 BPM | ||
| To The Moon And Back | Luke Bryan | C Major | 5 | 8B | 83 BPM | ||
| Good With Wine | Eric Paslay | A Major | 8 | 11B | 93 BPM | ||
| I Lost It | Kenny Chesney | E♭ Major | 4 | 5B | 139 BPM | ||
| If It Wasn't for a Woman | Kellie Pickler | E♭ Major | 3 | 5B | 73 BPM | ||
| Unbelievable (Ann Marie) | Josh Gracin | D Major | 5 | 10B | 135 BPM | ||
| Keep in Mind | LOCASH | A Major | 7 | 11B | 146 BPM | ||
| Mad Love | Canaan Smith | G Minor | 7 | 6A | 142 BPM | ||
| All I Ever Wanted | Chuck Wicks | B Major | 8 | 1B | 94 BPM | ||
| Criminal | Tyler Farr | C Major | 9 | 8B | 146 BPM | ||
| Help Me Understand | Trace Adkins | G Major | 4 | 9B | 130 BPM | ||
| Moments | Emerson Drive | A Major | 5 | 11B | 142 BPM |
Aftermath is a melancholic, mid-energy track by Rascal Flatts from Rewind, released January 1, 2014. It runs 3:38 at 124 BPM (248 BPM double-time) in A Major (Camelot 11B).
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