Juan María Real made "Tangos de Málaga (Avanzado): Falseta de Salida" available on 2005. The duration of Tangos de Málaga (Avanzado): Falseta de Salida is about 3 minutes long, at 3:14. Based on our data, "Tangos de Málaga (Avanzado): Falseta de Salida" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 20 in El Baile Flamenco, Vol. 20: Seguiriyas - Tangos de Málaga by Juan María Real. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Tangos de Málaga (Avanzado): Falseta de Salida's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tangos de Málaga (Avanzado): Falseta de Salida by Juan María Real is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guajira Marchena | Argentina | G Major | 7 | 9B | 100 BPM | ||
Soleá por Bulerías | Juanjo de Nayeli, Abraham jiménez, Juan Cortés “El Pillo”, Tin Cortés, Diego Amaya, Jerónimo Maya | C Minor | 3 | 5A | 87 BPM | ||
Fiesta en la Plazuela - Bulerías | El Barullo, Moraíto, Macarena Moneo | D Major | 6 | 10B | 119 BPM | ||
Cantando mi Sufrimiento (Soleá Apolá) | Samuel Serrano | B♭ Minor | 3 | 3A | 114 BPM | ||
Por Mí Se Queda Rezando: Tarantos - Remastered | Jarrito, Antonio Arenas y su Grupo Flamenco | E♭ Major | 5 | 5B | 132 BPM | ||
Bulerías Baile Completo | Carmen Gamero, Juan María Real, Jeromo Segura, Manuel Salado | E♭ Minor | 1 | 2A | 59 BPM | ||
Blanca Niña | Romero Sanjuan | B Minor | 3 | 10A | 143 BPM | ||
Soleá Muy Lenta: Sólo Guitarra | El Trini, Victor M. Rosa, Mariló García, Lurdes García | D Major | 6 | 10B | 117 BPM | ||
Undibel | Diego Carrasco, Carmen Amaya, Moraito Chico | D♭ Major | 3 | 3B | 80 BPM | ||
Tangos de Málaga Sin Zapateado y Sin Cante | Carmen Gamero, Juan María Real, Manuel Salado | E Minor | 4 | 9A | 69 BPM |
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