"Il Pirata (1988 Digital Remaster): Col sorriso d'innocenza ... (Atto II)" by Giuseppe Baratti, Orchestre Della Radiotelevisione Italiana, Roma, Coro Della Radiotelevisione Italiana, Roma, Gianandrea Gavazzeni, Flora Rafanelli, Bernabe Marti, Montserrat Caballé was released on 1988. The duration of Il Pirata (1988 Digital Remaster): Col sorriso d'innocenza ... (Atto II) is about 3 minutes long, at 3:28. Based on our data, "Il Pirata (1988 Digital Remaster): Col sorriso d'innocenza ... (Atto II)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in Bellini & Verdi: Italian Opera Arias by Montserrat Caballé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Il Pirata (1988 Digital Remaster): Col sorriso d'innocenza ... (Atto II) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata (1988 Digital Remaster): Col sorriso d'innocenza ... (Atto II) by Giuseppe Baratti, Orchestre Della Radiotelevisione Italiana, Roma, Coro Della Radiotelevisione Italiana, Roma, Gianandrea Gavazzeni, Flora Rafanelli, Bernabe Marti, Montserrat Caballé is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Deux heures devant moi!" | Jacques Offenbach, Andreas Schmidt, Kurt Rydl, Orchestre National De France, Seiji Ozawa | C Major | 3 | 8B | 143 BPM | ||
Le Comte Ory / Act 1: "Venez amis, retirons-nous" | Gioachino Rossini, Juan Diego Flórez, Marie-Ange Todorovitch, Marina de Liso, Stefania Bonfadelli, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | A Major | 5 | 11B | 128 BPM | ||
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 93 BPM | ||
Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | ||
Il Pirata (1992 Digital Remaster), Act I, Scene 1: Quando a un trattoil mio consorte | Vincenzo Bellini, Montserrat Caballé, Giuseppe Baratti, Flora Raffanelli, Bernabe Marti, Coro Della Radiotelevisione Italiana, Roma, Gianni Lazzari, Gianandrea Gavazzeni, Coro e Orchestra della Radiotelevisione Italiana, Roma, Orchestra della Radiotelevisione Italiana, Roma, Orchestre Della Radiotelevisione Italiana, Roma | F Major | 2 | 7B | 105 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Puccini: Tosca, Act 1: "Angelus Domini nuntiavit Mariae" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
"Lucia Di Lammermoor", Parte Seconda - Atto Secondo: S'avanza Enrico! (Tutti) | Mario Zanasi, Renata Scotto, Carlo Bergonzi, Plinio Clabassi, Mirella Fiorentini, Angelo Marchiandi, Giuseppe Baratti | C Minor | 2 | 5A | 137 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate." - "Mario, consenti ch'io parli?" | Giacomo Puccini, Montserrat Caballé, José Carreras, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 3 | 6A | 88 BPM |
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