May 1, 2021
Audio information that is featured on Prelude And Fugue In B Minor (Well-Tempered Clavier, Book I, No.24), BWV 869 by Johann Sebastian Bach, Walter Gieseking.
Find songs that harmonically matches to Prelude And Fugue In B Minor (Well-Tempered Clavier, Book I, No.24), BWV 869 by Johann Sebastian Bach, Walter Gieseking. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: IV. Bourée I||Philharmonia Slavonica, Henry Adolph||B Minor||2||10A||97|
|Trio Sonata from the Musical Offering BWV 1079: Allegro||Florilegium||B Minor||2||10A||84|
|Sonata in G major, Wq.62/19: 2. Andante||Carl Philipp Emanuel Bach, Mikhail Pletnev||B Minor||0||10A||98|
|Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: I. Overture||Philharmonia Slavonica, Henry Adolph||B Minor||3||10A||95|
|Concerto grosso in D, Op.6, No.1: 2. Largo||Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner||B Minor||2||10A||71|
|Gigue||Andrés Segovia||D Major||1||10B||89|
|Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: I. Allegro non troppo||Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra||D Major||1||10B||85|
|Thaïs / Act 2: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)||Jules Massenet, Mischa Maisky, Lily Maisky||D Major||1||10B||70|
|Danse Macabre Op. 40||Vladimir Horowitz||D Major||2||10B||127|
|Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)||Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti||D Major||1||10B||114|
|Vivaldi: Flute Concerto in D Major, RV 429: II. Largo||Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti||D Major||0||10B||131|
|Bach, J.S.: Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne||Johann Sebastian Bach, Itzhak Perlman||D Major||1||10B||102|
|Kinderszenen, Op.15: 4. Bittendes Kind||Robert Schumann, Martha Argerich||D Major||0||10B||113|
|Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro||Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root||D Major||2||10B||103|
|Requiem, Op. 48: VIII. In Paradisum||Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris||D Major||1||10B||74|
|Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble)||Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists||D Major||1||10B||125|
|Hora Unirii||George Enescu, Daniel Hope, Jacques Ammon||D Major||1||10B||184|
|String Quintet No.2 in B Flat Major, Op.87, MWV R33: 3. Adagio e lento||Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay||D Major||1||10B||84|
|Concerto For Violincello & Orchestra B Minor Op.104: Allegro||Philharmonia Slavonica, Alberto Lizzio, Herbert Krepela||D Major||1||10B||128|
|Carmen Suite No.2: 2. Habanera||Georges Bizet, Orchestre de Paris, Semyon Bychkov||D Major||0||10B||134|
|Scarlatti, D.: Keyboard Sonata in D Major, Kk. 443||Domenico Scarlatti, Mikhail Pletnev||D Major||1||10B||100|
|Toccata For Cello, Strings And Harpsichord||Girolamo Frescobaldi, Jian Wang, Camerata Salzburg||D Major||1||10B||124|
|Scherzo-Tarantelle, Op.16||Henryk Wieniawski, Kyung Wha Chung, Phillip Moll||D Major||2||10B||107|
|Suite in D: 7. Ecossaise||Jeremiah Clarke, Håkan Hardenberger, Simon Preston||D Major||1||10B||73|
|Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)||Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso||D Major||0||10B||121|
|Prélude from "Te Deum", H.146||Marc-Antoine Charpentier, The Michael Laird Brass Ensemble, Peter Hurford||D Major||1||10B||111|
|Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.5 in D major BWV850||Daniel Barenboim||D Major||1||10B||72|
|Kol Nidrei, Op.47 - Adagio on Hebrew Melodies for Cello and Orchestra (Adagio ma non troppo)||Max Bruch, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd||D Major||1||10B||78|
|Castillos De España: III. Manzaneras El Real||Andrés Segovia||D Major||0||10B||98|
|Wachet auf, ruft uns die Stimme, BWV 645||Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra||D Major||1||10B||80|
This song is track #142 in Simply Bach by Johann Sebastian Bach, Walter Gieseking, which has a total of 175 tracks. The duration of this track is 8:02 and was released on May 1, 2021. As of now, this track is currently not as popular as other songs out there. Prelude And Fugue In B Minor (Well-Tempered Clavier, Book I, No.24), BWV 869 doesn't provide as much energy as other songs but, this track can still be danceable to some people.
Prelude And Fugue In B Minor (Well-Tempered Clavier, Book I, No.24), BWV 869 has a BPM of 119. Since this track has a tempo of 119, the tempo markings of this song would be Moderato (at a moderate speed). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a moderate tempo.
The key of Prelude And Fugue In B Minor (Well-Tempered Clavier, Book I, No.24), BWV 869 is B Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
An error has occurred! We could not play this song at this time.