Giovanni Stefano Carbonelli, Hélène Schmitt, Gaetano Nasillo, Karl-Ernst Schröder, Andrea Marchiol made "Sonate duodecima in B Minor: II. Andante" available on 2002. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 19 in Carbonelli: Sonates pour violon & basse continue by Giovanni Stefano Carbonelli, Hélène Schmitt, Gaetano Nasillo, Karl-Ernst Schröder, Andrea Marchiol. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonate duodecima in B Minor: II. Andante is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonate duodecima in B Minor: II. Andante by Giovanni Stefano Carbonelli, Hélène Schmitt, Gaetano Nasillo, Karl-Ernst Schröder, Andrea Marchiol is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in A Major, Hob. XI:6: III. Presto | Joseph Haydn, Valencia Baryton Project | A♭ Major | 2 | 4B | 80 BPM | ||
Sicilienne for Bassoon or Violoncello | Johann Ernst Gaillard, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: IV. Lento e amoroso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | F♯ Minor | 0 | 11A | 101 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: III. Minuetto | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 4 | 7B | 116 BPM | ||
Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: VII. Largo Andante | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 130 BPM | ||
Oratorio Maria dolorata: Sinfonia | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |
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