"Cantus Insolitus" by Karl Jenkins, Adiemus, London Philharmonic Orchestra, Miriam Stockley, Mary Carewe was released on 1995. Cantus Insolitus is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 4 out of 10 in Adiemus - Songs Of Sanctuary by Karl Jenkins, Adiemus. In terms of popularity, Cantus Insolitus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantus Insolitus by Karl Jenkins, Adiemus, London Philharmonic Orchestra, Miriam Stockley, Mary Carewe is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve | Ronan Hardiman | A Minor | 5 | 8A | 131 BPM | ||
L'elisir d'amore / Act II: Una furtiva lagrima | Gaetano Donizetti, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | F Minor | 1 | 4A | 88 BPM | ||
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
Breaking Of The Sword | Loreena McKennitt | B♭ Major | 3 | 6B | 85 BPM | ||
Last Rose Of Summer/Walking In The Air - Medley | Celtic Woman | D Minor | 3 | 7A | 208 BPM | ||
Madame Butterfly: Aria | André Rieu, Johann Strauss Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
Hymn | Karl Jenkins, Adiemus, London Philharmonic Orchestra, Miriam Stockley | F Major | 1 | 7B | 95 BPM | ||
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Ceridwen's Curse | Karl Jenkins, Adiemus, Jody Jenkins, Adiemus Orchestra, Pamela Thorby, David Farmer, Catrin Finch, Martin Taylor, Miriam Stockley | G Major | 4 | 9B | 120 BPM | ||
Ghetto [The Merchant of Venice] | Uri Yehuda, David Juritz | C Minor | 3 | 5A | 68 BPM |
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