"Tosca: Recondita harmonia (Wie sich die Bilder gleichen)" by Giacomo Puccini, Joseph Schmidt, Staatskapelle Berlin, Frieder Weissmann was released on January 1, 2004. The duration of Tosca: Recondita harmonia (Wie sich die Bilder gleichen) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Tosca: Recondita harmonia (Wie sich die Bilder gleichen)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Schmidt - A Song Goes Round The World". In this album, this song's track order is #21. Based on our statistics, Tosca: Recondita harmonia (Wie sich die Bilder gleichen)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca: Recondita harmonia (Wie sich die Bilder gleichen) by Giacomo Puccini, Joseph Schmidt, Staatskapelle Berlin, Frieder Weissmann having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Or vienmi ad adornar (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 3 | 7B | 110 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 92 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Major | 1 | 7B | 85 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM |
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