Julia Fischer's 'Kapitel 120.2 & Kapitel 121 & Kapitel 122.1 - Der Geschmack unseres Lebens' came out on September 2, 2019. The duration of Kapitel 120.2 & Kapitel 121 & Kapitel 122.1 - Der Geschmack unseres Lebens is about 3 minutes long, at 3:13. Based on our data, "Kapitel 120.2 & Kapitel 121 & Kapitel 122.1 - Der Geschmack unseres Lebens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 98 out of 138 in Der Geschmack unseres Lebens by Julia Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Kapitel 120.2 & Kapitel 121 & Kapitel 122.1 - Der Geschmack unseres Lebens is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Kapitel 120.2 & Kapitel 121 & Kapitel 122.1 - Der Geschmack unseres Lebens by Julia Fischer is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Solo Violin No. 3 in D Minor, Op. 27 No. 3 "A Georges Enesco": Ballade (Lento molto sostenuto, molto moderato quasi lento, allegro in tempo giusto e con bravura) | Eugène Ysaÿe, Tedi Papavrami | A Minor | 2 | 8A | 127 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Violin Concerto in D Major, RV 211: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Major | 3 | 3B | 136 BPM | ||
Kapitel 31 - Der Teufel von Mailand | Martin Suter, Julia Fischer | F Minor | 2 | 4A | 125 BPM | ||
Kapitel 56 - Der Teufel von Mailand | Martin Suter, Julia Fischer | C Major | 3 | 8B | 82 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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