Farida Khanum made "Mere Hamnafas Mere (Live)" available on December 1, 1978. Since Mere Hamnafas Mere (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Farida Khanum In Concert (Live) by Farida Khanum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Mere Hamnafas Mere (Live) is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Mere Hamnafas Mere (Live) by Farida Khanum is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM | ||
Naam Abdul Hai Mera - From "Shaan" | Mohammed Rafi | C Minor | 6 | 5A | 81 BPM | ||
Pakad Lo Hath Banwari | Upasana Mehta | A♭ Minor | 3 | 1A | 170 BPM | ||
Chadhta Sooraj | Aziz Nazan | F♯ Major | 4 | 2B | 138 BPM | ||
Nand Ghar Anand Bhaye Jai Kanhaiya Lal Ki | Kumar Vishu | F Major | 6 | 7B | 150 BPM | ||
Hum Pardesi Log ( Thumri : Pilu ) | Begum Akhtar | D Major | 2 | 10B | 133 BPM | ||
Mangalaytano Hari | Kavita Seth | A Minor | 6 | 8A | 100 BPM | ||
Jhoom Jhoom Naache Dekho Bhakt Hanumana | Lakhbir Singh Lakkha | D♭ Major | 5 | 3B | 134 BPM | ||
Mareez-e-Mohabbat Unhi Ka Fasana | Munni Begum | B♭ Minor | 6 | 3A | 151 BPM | ||
Bujh Gaya Tha Kyun Diya (with Narration) | Gulzar, Shaan, Shreya Ghoshal | C Major | 3 | 8B | 94 BPM |
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