On October 20, 2023, the song "Goldberg-Variationen, BWV 988 (Arr. for Solo Violin and Ensemble by Chad Kelly): Variation 14" was released by Johann Sebastian Bach, Rachel Podger, Brecon Baroque, Chad Kelly. The duration of Goldberg-Variationen, BWV 988 (Arr. for Solo Violin and Ensemble by Chad Kelly): Variation 14 is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Goldberg-Variationen, BWV 988 (Arr. for Solo Violin and Ensemble by Chad Kelly): Variation 14's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Bach: Goldberg Variations Reimagined by Johann Sebastian Bach, Rachel Podger, Brecon Baroque, Chad Kelly. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Goldberg-Variationen, BWV 988 (Arr. for Solo Violin and Ensemble by Chad Kelly): Variation 14 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg-Variationen, BWV 988 (Arr. for Solo Violin and Ensemble by Chad Kelly): Variation 14 by Johann Sebastian Bach, Rachel Podger, Brecon Baroque, Chad Kelly is Presto (very, very fast), since this song has a tempo of 190 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |
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