- BPM
- 138
- Key
- G Minor
- Camelot
- 6A
Suite Paysanne Hongroise: Scherzo - Béla Bartók, Eva Kupiec, Marina Piccinini Information
- Acousticness
- 100%
- Danceability
- 43%
- Energy
- 5%
- Instrumentalness
- 98%
- Liveness
- 47%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 25%
- Popularity
- 1%
- Loudness
- -24.382 dB
Summary
Béla Bartók, Eva Kupiec, Marina Piccinini's 'Suite Paysanne Hongroise: Scherzo' came out on January 1, 2001. With Suite Paysanne Hongroise: Scherzo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 14 in Flute Recital by Marina Piccinini & Eva Kupiec. Based on our statistics, Suite Paysanne Hongroise: Scherzo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Suite Paysanne Hongroise: Scherzo BPM
The tempo marking of Suite Paysanne Hongroise: Scherzo by Béla Bartók, Eva Kupiec, Marina Piccinini is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Suite Paysanne Hongroise: Scherzo Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | |
 | Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | |
 | Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | |
 | Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | |
 | Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | |
 | Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | |
 | Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7130703926086426
End: 0.7173516750335693