Antonio Montanari, Simon Standage, Collegium Musicum 90 made "Violin Concerto in E Major, Op. 1 No. 7: II. Allegro" available on May 1, 2017. The duration of Violin Concerto in E Major, Op. 1 No. 7: II. Allegro is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Violin Concerto in E Major, Op. 1 No. 7: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Simon Standage, Collegium Musicum 90's "Maestro Corelli's Violins" album is number 8 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Violin Concerto in E Major, Op. 1 No. 7: II. Allegro is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Violin Concerto in E Major, Op. 1 No. 7: II. Allegro by Antonio Montanari, Simon Standage, Collegium Musicum 90 to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti Grossi, Op. 7: No. 2 in D Minor: III. Andante - Studio Recording | Francesco Geminiani, I Musici | F Major | 1 | 7B | 145 BPM | ||
Mystery (Rosary) Sonata: No. 1 in D Minor “The Annunciation”: I. Praeludium | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio | Johann Sebastian Bach, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Solene Kermarrec, Ulrich Wolff, Raphael Alpermann | D♭ Major | 0 | 3B | 138 BPM | ||
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Minor | 1 | 9A | 92 BPM |
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