Anonymous , Johannes Brahms, Andrés Segovia's '16 Waltzes, Op. 39: No. 2 in E Major (arr. for guitar)' came out on 1955. With 16 Waltzes, Op. 39: No. 2 in E Major (arr. for guitar) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "The Art of Segovia, Vol. 2 (1952-1955)". In this album, this song's track order is #2. 16 Waltzes, Op. 39: No. 2 in E Major (arr. for guitar) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 16 Waltzes, Op. 39: No. 2 in E Major (arr. for guitar) by Anonymous , Johannes Brahms, Andrés Segovia having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM | ||
A l'entrant d'este | Blondel De Nesle, Estampie, Graham Derrick | C Major | 0 | 8B | 133 BPM | ||
Kyrie | The Gregorian Chants | A♭ Major | 0 | 4B | 151 BPM | ||
Jubilus rhythmicus de nomini Jesu (2) | Officium Ensemble, Unknown Artist, Wilfried Rombach | B♭ Major | 2 | 6B | 136 BPM | ||
Dominus vobiscum ... Deus, qui populo tuo | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 1 | 9B | 130 BPM | ||
Media vita in morte sumus. Responsorio (Modo IV) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Victimae paschali laudes - Sequentia Tempore Paschali | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | E Minor | 1 | 9A | 131 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM |
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