Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) - Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl Information

Acousticness: 2%
Danceability: 57%
Energy: 88%
Instrumentalness: 0%
Liveness: 27%
Loudness: 86%
Speechiness: 2%
Valence: 87%
Popularity: 6%
Loudness: -8.229 dB

Summary

On November 1, 2005, the song "Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto)" was released by Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl. Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 23 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) BPM

We consider the tempo marking of Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) by Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Matthäuspassion, BWV 244: Aria: Konnen Tranen meiner Wangen (Alto) Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos)	Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson	C Major	3	8B	103 BPM

ISRC: HKI190584523
Label: L-M Records/RCA Records

Section: 0.7960371971130371

End: 0.8002862930297852