"La Bayadère / Act 1: No.7 Allegro molto" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. The duration of La Bayadère / Act 1: No.7 Allegro molto is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La Bayadère / Act 1: No.7 Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 7 out of 42. In terms of popularity, La Bayadère / Act 1: No.7 Allegro molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 1: No.7 Allegro molto by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Coda | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
Second Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 1 | 9B | 174 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation V. Violente (Fairy of the Golden Vine) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | F Major | 1 | 7B | 133 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Panorama | New Philharmonia Orchestra London, Lawrence Siegel | G Major | 0 | 9B | 98 BPM |
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