"Winterreigen, Op. 13: No. 8, Tolle Gesellschaft" by Ernst von Dohnányi was released on March 1, 2004. The duration of Winterreigen, Op. 13: No. 8, Tolle Gesellschaft is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Winterreigen, Op. 13: No. 8, Tolle Gesellschaft's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 56 in Dohnányi Plays Dohnányi: The Complete HMV Solo Piano Recordings (Recorded 1929-1956) by Ernst von Dohnányi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Winterreigen, Op. 13: No. 8, Tolle Gesellschaft is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Winterreigen, Op. 13: No. 8, Tolle Gesellschaft by Ernst von Dohnányi is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Variation 7: Meno mosso, a tempo moderato | Sergei Rachmaninoff, Yevgeny Sudbin, Singapore Symphony Orchestra, Lan Shui | F Major | 0 | 7B | 83 BPM | ||
String Quartet No. 2 in F Major, Op. 22: IV. Allegro con moto | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
Wiosna, Op. 74 No. 2 (Version for Piano) | Frédéric Chopin, Marek Szlezer | D♭ Minor | 0 | 12A | 68 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Troisième livre de pièces de clavecin: 15ème ordre, Muséte de taverni - Adapted by Marina Baranova | François Couperin, Marina Baranova | A Major | 0 | 11B | 98 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Symphony No. 3 in C Minor, Op. 14: IIIc. Var. 2, Andante con moto | Witold Maliszewski, Opole Philharmonic Orchestra, Przemyslaw Neumann | A♭ Major | 0 | 4B | 79 BPM | ||
Piano Trio In G Major, L. 5: II. Scherzo. Intermezzo (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
2 Waltzes, Op. 221: No. 2, Venus Valse, Boston-Valse | Marco Enrico Bossi, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: II. Andante | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | E Major | 0 | 12B | 86 BPM |
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