Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova made "Canto Ostinato: Sections 11-16" available on December 17, 2020. Since Canto Ostinato: Sections 11-16 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 19 in Canto Ostinato by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Canto Ostinato: Sections 11-16's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Canto Ostinato: Sections 11-16 by Simeon ten Holt, Grigorii Osipov, Tikhon Antonov, Boris Nikonov, Maria Shmeleva, Olesia Morozova is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aska - Voiceless - Harpa Sessions | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
Silent Echoes | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | B♭ Major | 3 | 6B | 152 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
No-Fairies' Forest | Marina Baranova | F♯ Major | 1 | 2B | 88 BPM | ||
Lemniscaat: Episode VI b/c 2 - Live | Simeon ten Holt, Kees Wieringa, Ellen Dijkhuizen, John Brink, Anita van Groningen à Stulingen | A♭ Minor | 1 | 1A | 124 BPM | ||
Fratres | Arvo Pärt, Kronos Quartet | C Minor | 0 | 5A | 133 BPM | ||
86 | Simeon ten Holt, Polo de Haas, Kees Wieringa | E♭ Major | 2 | 5B | 153 BPM | ||
Saltaire Melody | Howard Skempton, John Tilbury | E Major | 0 | 12B | 131 BPM | ||
Fratres | Arvo Pärt, Anne Akiko Meyers, Akira Eguchi, Kristjan Järvi, Philharmonia Orchestra | A Major | 1 | 11B | 120 BPM | ||
For Children, Vol. 4, Sz. 42 (Excerpts) [Original Version]: No. 65, The Old Shepherd. Molto rubato, non troppo lento | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM |
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