On 2003, the song "Mit Geld Und Guten Worten" was released by Hermann Prey. The duration of Mit Geld Und Guten Worten is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Mit Geld Und Guten Worten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 18 out of 68. Mit Geld Und Guten Worten is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mit Geld Und Guten Worten by Hermann Prey to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Rosalind Plowright, Plácido Domingo, Walter Gullino, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini, Coro dell'Accademia Nazionale Di Santa Cecilia | C Major | 4 | 8B | 101 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Jetzt kommen die lustigen Tage | Traditional, Hermann Prey, Orchestra, Fried Walter, Choir | E Major | 5 | 12B | 86 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Die Fledermaus / Act II: Polka "Unter Donner und Blitz", Op. 324 | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 7 | 9B | 89 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Liederkreis, Op.39: Wehmut | Robert Schumann, Hermann Prey, Karl Engel | E Major | 0 | 12B | 0 BPM | ||
Die Fledermaus / Act 1: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Lucia Popp, Julia Varady | A♭ Major | 1 | 4B | 103 BPM | ||
Die Zauberflöte: O Isis und Osiris | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D Major | 1 | 10B | 71 BPM |
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