"Lakmé, Act III (Sung in Russian): C'est lui ! C'est lui !" by Léo Delibes, Nadezhda Kazantseva, Sergei Lemeshev, Alexei Korolev, All-Union Radio Symphony Orchestra, Alexander Orlov was released on March 1, 2017. The duration of Lakmé, Act III (Sung in Russian): C'est lui ! C'est lui ! is about 3 minutes long, at 3:27. Based on our data, "Lakmé, Act III (Sung in Russian): C'est lui ! C'est lui !" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 41 in Delibes: Lakmé (Sung in Russian) by Léo Delibes, Sergei Lemeshev, All-Union Radio Symphony Orchestra, Alexander Orlov. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. The popularity of Lakmé, Act III (Sung in Russian): C'est lui ! C'est lui ! is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé, Act III (Sung in Russian): C'est lui ! C'est lui ! by Léo Delibes, Nadezhda Kazantseva, Sergei Lemeshev, Alexei Korolev, All-Union Radio Symphony Orchestra, Alexander Orlov is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM |
Section: 0.6295614242553711
End: 0.6350798606872559