"The Duke Of Marlborough - Fanfare" by Percy Grainger, Members of the English Chamber Orchestra, Benjamin Britten was released on January 1, 2013. The duration of The Duke Of Marlborough - Fanfare is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Duke Of Marlborough - Fanfare's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Salute To Percy Grainger". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Duke Of Marlborough - Fanfare's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Duke Of Marlborough - Fanfare by Percy Grainger, Members of the English Chamber Orchestra, Benjamin Britten having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Scottish Dances, Op. 59: No. 4, Con brio | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | D Major | 3 | 10B | 136 BPM | ||
Fantasia in G Major | Timothy Mahr, College of New Jersey Wind Ensemble, William Silvester | G Major | 4 | 9B | 92 BPM | ||
Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
Overture to "Colas Breugnon" | US Navy Band | F Major | 3 | 7B | 136 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM |
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