Georges Bizet, Detroit Symphony Orchestra, Paul Paray's 'L'Arlésienne Suite No. 1: Carillon' came out on 1958. With this song being about 5 minutes long, at 4:50, "L'Arlésienne Suite No. 1: Carillon" by Georges Bizet, Detroit Symphony Orchestra, Paul Paray is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 14 in Bizet: Carmen Suite; L'Arlésienne Suite No. 1; L'Arlésienne Suite No. 2 (Paul Paray: The Mercury Masters I, Volume 13) by Georges Bizet, Detroit Symphony Orchestra, Paul Paray. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of L'Arlésienne Suite No. 1: Carillon is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'Arlésienne Suite No. 1: Carillon by Georges Bizet, Detroit Symphony Orchestra, Paul Paray is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM |
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