Gil Aldema, Gershwin Quartett, Giora Feidman made "In Chassidic Mood: Allegro" available on August 24, 2009. With this song being about 5 minutes long, at 4:44, "In Chassidic Mood: Allegro" by Gil Aldema, Gershwin Quartett, Giora Feidman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Giora Feidman, Gershwin Quartett's "Klezmer & Strings" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In Chassidic Mood: Allegro is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of In Chassidic Mood: Allegro by Gil Aldema, Gershwin Quartett, Giora Feidman to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klezmer Suite No1 | Roby Lakatos, Javori/Lakatos, Franz Liszt Chamber Orchestra, Roby Lakatos Ensemble | G Minor | 5 | 6A | 87 BPM | ||
Valse douce | Portal Michel, Laurent Korcia | G Minor | 3 | 6A | 76 BPM | ||
Double Bass Sonata: III. Adagio | Henry Eccles, Ferenc Csontos, Balazs Szokolay | A Minor | 0 | 8A | 92 BPM | ||
Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM | ||
Trumpet Concerto in E flat major: 2. Andante | Johann Nepomuk Hummel, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 174 BPM | ||
Tambourin in C Major | Jean-Marie Leclair, Patricia Kopatchinskaja, Sol Gabetta | C Minor | 2 | 5A | 144 BPM | ||
Divertimento No. 1, Op. 20: I. Jo alapos csardas (A richly done csardas) | Leó Weiner, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 95 BPM | ||
Suite for Flute and Jazz Trio : Fugace | Jasmine Choi, Hugh Sung, Sam Minaie & Nathaniel Smith | C Major | 3 | 8B | 145 BPM | ||
Humoreske | Alexander von Zemlinsky, Atéa Quintet | B♭ Major | 0 | 6B | 84 BPM | ||
Clarinet Concerto: I. Slowly and expressively - Cadenza | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 0 | 8B | 168 BPM |
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