Norman Wisdom, Pip Hinton, Terence Cooper, Pamela Gale, Jerry Desmonde, Felix Felton, Marion Grimaldi, Barry Kent, Jill Martin, Sheila Francis, Helen Anderson, Studio Chorus, Michael Collins Orchestra, Michael Collins's 'Where's Charley?: The Woman in his Room (Amy)' came out on July 27, 2010. The duration of Where's Charley?: The Woman in his Room (Amy) is about 3 minutes long, at 3:08. Based on our data, "Where's Charley?: The Woman in his Room (Amy)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Where's Charley? (Original London Cast 1958) by Michael Collins. The song's track number on the album is #9 out of 25 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Where's Charley?: The Woman in his Room (Amy)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Where's Charley?: The Woman in his Room (Amy) by Norman Wisdom, Pip Hinton, Terence Cooper, Pamela Gale, Jerry Desmonde, Felix Felton, Marion Grimaldi, Barry Kent, Jill Martin, Sheila Francis, Helen Anderson, Studio Chorus, Michael Collins Orchestra, Michael Collins has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Where's Charley?: The Woman in his Room (Amy) being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little White Bull | Tommy Steele | G Major | 8 | 9B | 121 BPM | ||
I Can't Tell a Waltz from a Tango | Alma Cogan | D♭ Major | 3 | 3B | 126 BPM | ||
Tower of Strength | Frankie Vaughan | D Major | 8 | 10B | 135 BPM | ||
Dreamy Eyes | Johnny Tillotson | E Major | 4 | 12B | 124 BPM | ||
They Didn't Believe Me | Jerome Kern, Norman Wisdom, Wally Stott Orchestra | B♭ Major | 3 | 6B | 80 BPM | ||
Don't Larf At Me | Norman Wisdom, Joyce Grenfell | B♭ Major | 2 | 6B | 161 BPM | ||
The Things We Did Last Summer | The Four Preps | B Minor | 2 | 10A | 79 BPM | ||
I Talk to the Trees | Danny Williams | G Major | 3 | 9B | 178 BPM | ||
Am I That Easy To Forget? | Debbie Reynolds | E♭ Major | 3 | 5B | 79 BPM | ||
Sugartime | Alma Cogan | E♭ Major | 4 | 5B | 96 BPM |
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