"Peer Gynt, Op. 28: Suite No. 1: Hymn against the Boyg" by Harald Sæverud, Iceland Symphony Orchestra, Bjarte Engeset was released on October 5, 2004. The duration of Peer Gynt, Op. 28: Suite No. 1: Hymn against the Boyg is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Peer Gynt, Op. 28: Suite No. 1: Hymn against the Boyg's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Norwegian Classical Favourites". In this album, this song's track order is #2. Based on our statistics, Peer Gynt, Op. 28: Suite No. 1: Hymn against the Boyg's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt, Op. 28: Suite No. 1: Hymn against the Boyg by Harald Sæverud, Iceland Symphony Orchestra, Bjarte Engeset having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 141 BPM | ||
Barcarolle Op. 65 No. 6 | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 67 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Rhapsody in B Minor, Op. 79, No. 1 | Johannes Brahms, Martha Argerich | F♯ Major | 1 | 2B | 93 BPM | ||
Concerto No. 2, "As Above so Below": II. Sinfonia - After Sinfonia, Cantata "Ich hatte viel Bekümmernis", BWV 21 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Minor | 1 | 5A | 111 BPM | ||
Bagatelles, Op. 47, B. 79: No. 1. Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 94 BPM | ||
Symphony No. 2 in C Minor, Op. 4 (1934 version): II. Andante mesto | Harald Sæverud, Stavanger Symphony Orchestra, Ole Kristian Ruud | G Major | 0 | 9B | 78 BPM | ||
Konzert für Klavier und Orchester Nr. 23 in A-Dur, KV 488: Adagio | Wolfgang Amadeus Mozart, Sir Clifford Curzon, Rafael Kubelík, Bavarian Radio Symphony Orchestra | G Major | 2 | 9B | 147 BPM | ||
Forkladd gud, Op. 24: Prelude | Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg | D♭ Major | 4 | 3B | 105 BPM | ||
Bassoon Concerto in E minor, RV 484: 1. Allegro poco | Antonio Vivaldi, Klaus Thunemann, I Musici | C Major | 2 | 8B | 87 BPM |
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