Hollywood Symphony Orchestra's 'The Blue Danube (An Der Schone Blauen Donau) [From "2001: A Space Odyssey"]' came out on August 15, 2013. Since The Blue Danube (An Der Schone Blauen Donau) [From "2001: A Space Odyssey"] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hollywood Symphony Orchestra's "Music from the Films of Kubrick" album is number 5 out of 13. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, The Blue Danube (An Der Schone Blauen Donau) [From "2001: A Space Odyssey"] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Blue Danube (An Der Schone Blauen Donau) [From "2001: A Space Odyssey"] by Hollywood Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blackbird | Louis Clark & The Royal Philharmonic Orchestra | C Major | 1 | 8B | 77 BPM | ||
The Typewriter | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | G Major | 4 | 9B | 148 BPM | ||
Orchestermusik in B Major, Op. 52, No. 6: Ave Maria | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 86 BPM | ||
The Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Arthur Fiedler, Boston Pops Orchestra | A Minor | 3 | 8A | 67 BPM | ||
Thème Du Garçon | Saint-Preux | B♭ Major | 1 | 6B | 111 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 169 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Piano Parchment - 60 Second Edit (A) | Johnny Pearson | D Major | 3 | 10B | 120 BPM | ||
Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
Main Title Theme (From "Lolita") | Hollywood Symphony Orchestra | D Major | 1 | 10B | 94 BPM |
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