"Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato" by Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker was released on March 6, 2024. Since Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shostakovich: Violin Concerto No. 1, Op. 99 - Prokofiev: Violin Concerto No. 1, Op. 19". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato by Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin, Strings, Lute and Percussion "TYCHE": II. Capriccio. Allegro | Giovanni Sollima, Jonian Ilias Kadesha, CHAARTS Chamber Artists | D♭ Major | 1 | 3B | 119 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 2 In G Major: Allegretto scherzando | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Salomea | Jasmin Reuter, World Chamber Orchestra | B♭ Minor | 2 | 3A | 172 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Mauro Bolognini Suite: Intro | Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto | C Major | 1 | 8B | 130 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Nonet: IIa. Tempo ad lib. | André Previn, Anne-Sophie Mutter, Mohamed Hiber, Hwayoon Lee, Lionel Martin, Elias David Moncado, Samuel Nebyu, Matthew Lipman, Margarita Balanas, Dominik Wagner | D Minor | 1 | 7A | 104 BPM |
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