"Blue, Act I Scene 1: I Was in the Heyday of Being in Love" by Jeanine Tesori, Briana Hunter, Ariana Wehr, Rehanna Thelwell, Katerina Burton, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. With Blue, Act I Scene 1: I Was in the Heyday of Being in Love being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 3 out of 72. On top of that, Netherlands appears to be the country where this track was created. Blue, Act I Scene 1: I Was in the Heyday of Being in Love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act I Scene 1: I Was in the Heyday of Being in Love by Jeanine Tesori, Briana Hunter, Ariana Wehr, Rehanna Thelwell, Katerina Burton, Roderick Cox, Washington National Opera Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Meek Shall Inherit | Christian Borle, Jonathan Groff, Ari Groover, Salome Smith, Joy Woods | A Minor | 5 | 8A | 98 BPM | ||
Act One Finale | Urinetown Musicians | C Minor | 4 | 5A | 127 BPM | ||
Blue, Act II Scene 1: Only a White God | Jeanine Tesori, Kenneth Kellogg, Gordon Hawkins, Roderick Cox, Washington National Opera Orchestra | F Minor | 5 | 4A | 90 BPM | ||
Kind of Woman | Rachel Bay Jones | D Major | 4 | 10B | 90 BPM | ||
Hello, Little Girl | Gavin Creel, Julia Lester | C Major | 3 | 8B | 137 BPM | ||
When the Sun Goes Down | Mandy Gonzalez, Christopher Jackson | C Minor | 2 | 5A | 77 BPM | ||
Dogfight | Annaleigh Ashford, Lindsay Mendez | D Minor | 6 | 7A | 97 BPM | ||
Forever Yours (Reprise) | Merle Dandridge, Hailey Kilgore, Lea Salonga, Once On This Island Storytellers | B Minor | 5 | 10A | 116 BPM | ||
Come with Me | Taye Diggs, Julia Murney | B Major | 7 | 1B | 110 BPM | ||
September Song | '[title of show]' Original Cast | F Minor | 4 | 4A | 91 BPM |
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