"Dio! mi potevi scagliar tutti i mali (Othello)" by Giovanni Zenatello was released on September 1, 2006. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giovanni Zenatello's "Lebendige Vergangenheit - Giovanni Zenatello" album is number 6 out of 14. In terms of popularity, Dio! mi potevi scagliar tutti i mali (Othello) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dio! mi potevi scagliar tutti i mali (Othello) by Giovanni Zenatello to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata*: Act III: Parigi, o cara | Giuseppe Verdi, Giovanni Zenatello, Linda Cannetti | D Major | 3 | 10B | 85 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
O dolci mani mansuete e pura (Tosca) | Giovanni Zenatello, María Gay | F Major | 1 | 7B | 91 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: Preludio - "Percorrete le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 113 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Pour un marquis de si bel air" (Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 82 BPM | ||
La fanciulla del West: Act III: Sono Ramerrez | Giacomo Puccini, Giovanni Zenatello, Studio ensemble | B♭ Major | 3 | 6B | 141 BPM | ||
Lucia di Lammermoor, Act III: Tu che a Dio spiegasti l'ali | Gaetano Donizetti, Giovanni Zenatello, Studio pianist | E Major | 1 | 12B | 87 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM |
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