Jussi Björling, Babro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer, Olle Sivall's 'Rigoletto, Act 3: Un Di, Se Ben Rammentomi... Bella Figlia Dell'amore' came out on March 3, 1931. Rigoletto, Act 3: Un Di, Se Ben Rammentomi... Bella Figlia Dell'amore is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #84. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rigoletto, Act 3: Un Di, Se Ben Rammentomi... Bella Figlia Dell'amore is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto, Act 3: Un Di, Se Ben Rammentomi... Bella Figlia Dell'amore by Jussi Björling, Babro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer, Olle Sivall having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Allegro | Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 112 BPM | ||
Turandot (2008 Digital Remaster), Act I: Signore, ascolta! | Giacomo Puccini, Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Giuseppe Nessi, Nicola Zaccaria, Tul, Elisabetta Fusco, Giulio Mauri, Coro Del Teatro Alla Scala Di Milano, Pinuccia Perotti, Piero de Palma, Renato Ercolani, Orchestra Del Teatro Alla Scala, Milano, Mario Borriello, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F♯ Major | 3 | 2B | 78 BPM | ||
Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Anvil Chorus (from Il Trovatore) | Robert Shaw Chorale, Robert Shaw, RCA Victor Orchestra | C Major | 3 | 8B | 139 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Donizetti: Anna Bolena, Act 2: "Al dolce guidami castel natio" (Anna Bolena) | Gaetano Donizetti, Maria Callas, Philharmonia Orchestra, Nicola Rescigno | F Major | 0 | 7B | 76 BPM | ||
Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act I: Aria. Vi mnye pisali. Net otpiraites - Kogda bi zhizn domashnim krugon | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D♭ Major | 1 | 3B | 95 BPM | ||
Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | C Major | 2 | 8B | 84 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |
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