Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit's 'Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Gerettet ist das edle Glied - Hande verschlinget euch -' came out on April 18, 2006. With Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Gerettet ist das edle Glied - Hande verschlinget euch - being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gustav Mahler, Warsaw Boys Choir, Antoni Wit's "Mahler, G.: Symphony No. 8, "Symphony of a Thousand"" album is number 6 out of 26. In terms of popularity, Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Gerettet ist das edle Glied - Hande verschlinget euch - is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Gerettet ist das edle Glied - Hande verschlinget euch - by Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 6 in B Minor, Op. 74, "Pathetique": Solitude [Again, as before, alone], Op. 73, No. 6 (trans. L. Stokowski) | Pyotr Ilyich Tchaikovsky, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 45 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Kräftig. Entschieden | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | D Minor | 0 | 7A | 80 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM |
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