Johann Sebastian Bach, Göran Söllscher made "Sonata for Violin Solo No.3 in C, BWV 1005 - Transcribed for Solo Guitar by Göran Söllscher: 4. Allegro assai" available on January 1, 1992. The duration of Sonata for Violin Solo No.3 in C, BWV 1005 - Transcribed for Solo Guitar by Göran Söllscher: 4. Allegro assai is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sonata for Violin Solo No.3 in C, BWV 1005 - Transcribed for Solo Guitar by Göran Söllscher: 4. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 16 out of 18. In terms of popularity, Sonata for Violin Solo No.3 in C, BWV 1005 - Transcribed for Solo Guitar by Göran Söllscher: 4. Allegro assai is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Sonata for Violin Solo No.3 in C, BWV 1005 - Transcribed for Solo Guitar by Göran Söllscher: 4. Allegro assai by Johann Sebastian Bach, Göran Söllscher to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 9: IV. Sarabanda: Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 116 BPM | ||
Konzert für Oboe Nr. 3 g-Moll, HWV 287: IV. Allegro | George Frideric Handel, Marcel Ponseele, Il Gardellino | D♭ Minor | 2 | 12A | 119 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM | ||
Concerto In F For Organ, Op 4 No 4: Andante | Smiljka Isakovic, Ljubljana Symphony Orchestra, Anton Nanut | B Minor | 3 | 10A | 103 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1039: III. Adagio e piano | Johann Sebastian Bach, Marc Hantai/Ageet Zweistra/Jerome Hantai/Pierre Hantaï | G Major | 3 | 9B | 92 BPM | ||
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
La Muse Plantine (19e ordre) | François Couperin, Alexandre Tharaud | D Minor | 1 | 7A | 74 BPM |
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