"Konig der letzten Tage (King of the Last Days): Miserere" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. The duration of Konig der letzten Tage (King of the Last Days): Miserere is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Konig der letzten Tage (King of the Last Days): Miserere's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 10 out of 18. Based on our statistics, Konig der letzten Tage (King of the Last Days): Miserere's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Konig der letzten Tage (King of the Last Days): Miserere by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet Des Mortes Vivants | Fernando Velázquez | A Major | 3 | 11B | 143 BPM | ||
Leon The Cleaner | Éric Serra | A Minor | 3 | 8A | 79 BPM | ||
Epilogue - Leaving Grasse | Johnny Klimek, Reinhold Heil, Tom Tykwer, State Choir Latvija, Sir Simon Rattle | F Major | 0 | 7B | 70 BPM | ||
A Variation On Scotty Tails Madeline | Shigeru Umebayashi | G Minor | 1 | 6A | 81 BPM | ||
Lorenzo | Alberto Iglesias | D Minor | 0 | 7A | 137 BPM | ||
Wilcze echa I (Czołówka) | Konrad Bryzek, Wojciech Kilar | B♭ Major | 5 | 6B | 95 BPM | ||
The Dream of Jacob | Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus | C Major | 1 | 8B | 78 BPM | ||
Please Wait | Patrick Doyle | G Minor | 1 | 6A | 80 BPM | ||
W.Kilar/G.Niemczuk - Rodzina Połanieckich | Grzegorz Niemczuk, Wojciech Kilar | A Minor | 0 | 8A | 104 BPM | ||
Wilcze echa V (Temat) | Konrad Bryzek, Wojciech Kilar | B♭ Major | 5 | 6B | 95 BPM |
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