Teil 5 - Folge 7: Die Tragödie von Birlstone - Sherlock Holmes & Co, Markus Winter, Charles Rettinghaus, Florian Halm, Andreas Conrad, Norbert Langer, Martin Keßler, Petra Mott, Yvonne Greitzke, Till Hagen, Bert Stevens, Jens Wendland, Marc Schülert Information

Sherlock Holmes & Co, Markus Winter, Charles Rettinghaus, Florian Halm, Andreas Conrad, Norbert Langer, Martin Keßler, Petra Mott, Yvonne Greitzke, Till Hagen, Bert Stevens, Jens Wendland, Marc Schülert made "Teil 5 - Folge 7: Die Tragödie von Birlstone" available on April 4, 2014. The duration of Teil 5 - Folge 7: Die Tragödie von Birlstone is about 3 minutes long, at 3:02. Based on our data, "Teil 5 - Folge 7: Die Tragödie von Birlstone" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Folge 7: Die Tragödie von Birlstone by Sherlock Holmes & Co. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Teil 5 - Folge 7: Die Tragödie von Birlstone is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Teil 5 - Folge 7: Die Tragödie von Birlstone BPM

The tempo marking of Teil 5 - Folge 7: Die Tragödie von Birlstone by Sherlock Holmes & Co, Markus Winter, Charles Rettinghaus, Florian Halm, Andreas Conrad, Norbert Langer, Martin Keßler, Petra Mott, Yvonne Greitzke, Till Hagen, Bert Stevens, Jens Wendland, Marc Schülert is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Teil 5 - Folge 7: Die Tragödie von Birlstone Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.