"Symphony No. 88 in G Major, Hob. I:88: III. Menuetto (Allegretto)" by Joseph Haydn, Berliner Philharmoniker, Eugen Jochum was released on January 1, 2003. With this song being about 5 minutes long, at 4:34, "Symphony No. 88 in G Major, Hob. I:88: III. Menuetto (Allegretto)" by Joseph Haydn, Berliner Philharmoniker, Eugen Jochum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's "Haydn: The 12 "London" Symphonies" album is number 3 out of 60. On top of that, Germany appears to be the country where this track was created. Symphony No. 88 in G Major, Hob. I:88: III. Menuetto (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 88 in G Major, Hob. I:88: III. Menuetto (Allegretto) by Joseph Haydn, Berliner Philharmoniker, Eugen Jochum to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 157 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | G Major | 2 | 9B | 116 BPM |
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