Billy Swan's 'P.M.S. (Post Mortem Sickness)' came out on August 1, 1974. The duration of P.M.S. (Post Mortem Sickness) is about 3 minutes long, at 3:07. Based on our data, "P.M.S. (Post Mortem Sickness)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Billy Swan's "I Can Help" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, P.M.S. (Post Mortem Sickness)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of P.M.S. (Post Mortem Sickness) by Billy Swan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Right Or Wrong | Wanda Jackson | G Major | 4 | 9B | 77 BPM | ||
Token of Love | Cathy Collins | E Major | 3 | 12B | 115 BPM | ||
And It Didn't Even Bring Me Down | Sir Douglas Quintet | E Major | 5 | 12B | 101 BPM | ||
Superman | The Clique | B♭ Major | 6 | 6B | 106 BPM | ||
Polly | Gene Clark | E Minor | 2 | 9A | 78 BPM | ||
No Good To Cry | The Wildweeds | D Minor | 7 | 7A | 171 BPM | ||
I Can't Stop Writing Love Songs | Billy Swan | G Major | 2 | 9B | 109 BPM | ||
Hallelujah I Love Her So | Billy Swan | G Major | 4 | 9B | 128 BPM | ||
Omaha Rainbow | John Stewart | A♭ Major | 7 | 4B | 131 BPM | ||
On the Line | Graham Nash | A Major | 4 | 11B | 113 BPM |
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