Marin Marais, Robert de Visée, Christina Pluhar, L'Arpeggiata's 'De Visée, Marais / Arr. Pluhar: Improvisation on Les Folies d’Espagne' came out on February 17, 2023. De Visée, Marais / Arr. Pluhar: Improvisation on Les Folies d’Espagne is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Passacalle de la Follie". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, De Visée, Marais / Arr. Pluhar: Improvisation on Les Folies d’Espagne is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With De Visée, Marais / Arr. Pluhar: Improvisation on Les Folies d’Espagne by Marin Marais, Robert de Visée, Christina Pluhar, L'Arpeggiata having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: II. Tombeau de Mezangeau | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Pieces in C Minor: II. La Plainte or Tombeau des Mesdemoiselles de Visée, filles de l'Auteur | Robert de Visée, Jakob Lindberg | A♭ Minor | 1 | 1A | 137 BPM | ||
Toccata | L'Arpeggiata, Christina Pluhar | D Minor | 0 | 7A | 83 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | ||
Pièces de théorbe, Suite in A Minor: VI. Chaconne | Robert de Visée, Xavier Diaz-Latorre | A Major | 2 | 11B | 107 BPM | ||
Strozzi: L’amante segreto (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | C Major | 2 | 8B | 118 BPM | ||
Concierto Madrigal for 2 Guitars and Orchestra: Fandango | Joaquín Rodrigo, Pepe Romero, Angel Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 85 BPM | ||
suite d’un goût étranger: No. 33, Le badinage | Marin Marais, François Joubert-Caillet, L'Achéron | C Major | 0 | 8B | 83 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM |
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