"Loutky, H. 116: No. 2. Harlekyn (Harlequin)" by Bohuslav Martinů, Giorgio Koukl had its release date on February 27, 2007. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bohuslav Martinů, Giorgio Koukl's "Martinu, B.: Complete Piano Music, Vol. 2" album is number 6 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Loutky, H. 116: No. 2. Harlekyn (Harlequin)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Loutky, H. 116: No. 2. Harlekyn (Harlequin) by Bohuslav Martinů, Giorgio Koukl to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate Op. 64: II. Scherzo (Vivace) | Mel Bonis, Juliette Hurel, Hélène Couvert | E Minor | 1 | 9A | 87 BPM | ||
Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Šíma | E♭ Major | 1 | 5B | 73 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza - Live | Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust | A Minor | 2 | 8A | 164 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM |