"Blessed be the God and Father" by Samuel Sebastian Wesley, Philippa Boyle, Choir of Clare College, Cambridge, James McVinnie, Christopher Robinson was released on March 27, 2007. Since Blessed be the God and Father is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wesley, S.S.: Anthems by Samuel Sebastian Wesley, Choir of Clare College, Cambridge, Christopher Robinson. The song's track number on the album is #11 out of 17 tracks. In terms of popularity, Blessed be the God and Father is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Blessed be the God and Father by Samuel Sebastian Wesley, Philippa Boyle, Choir of Clare College, Cambridge, James McVinnie, Christopher Robinson has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Blessed be the God and Father being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Psalm 3 "Lord, How Are They Increased That Trouble Me!" | Andrew Millington, Exeter Cathedral Choir, Paul Morgan | E Minor | 0 | 9A | 174 BPM | ||
Psalm 110 (All Saints New) | Independent Presbyterian Church Savannah, Scottish Festival Singers | F Major | 4 | 7B | 109 BPM | ||
Andante cantabile in F Major | Samuel Sebastian Wesley, Charles Metz | F Major | 1 | 7B | 98 BPM | ||
I Sing the Mighty Power of God | The Coventry Singers | E♭ Major | 2 | 5B | 91 BPM | ||
Praise, my soul, the King of heaven (Praise, my soul) | John Goss, York Minster Choir, Philip Moore | D Major | 2 | 10B | 82 BPM | ||
Deck Thyself, My Soul, with Gladness | Johann Crüger, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E♭ Major | 1 | 5B | 130 BPM | ||
O Lord I Am Not Worthy | Benedictines of Mary, Queen of Apostles, Queen of Apostles | C Major | 1 | 8B | 140 BPM | ||
Good Christians All, Rejoice and Sing! - Easter | Melchior Vulpius, William Neil | D Major | 0 | 10B | 116 BPM |
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