Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra's 'War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death"' came out on May 8, 2012. With War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death" by Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Il tabarro: "Sgualdrina! … Bocca di rosa fresca" (Michele, Due amanti) | Giacomo Puccini, Carlo Guelfi/Angela Gheorghiu/Roberto Alagna/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A Minor | 0 | 8A | 68 BPM | ||
Schubert: Im Frühling, Op. Posth 101 No. 1, D. 882 | Franz Schubert, Ian Bostridge, Julius Drake | G Major | 0 | 9B | 92 BPM | ||
The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 111 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 42, Juliet Alone | Sergei Prokofiev, André Previn, London Symphony Orchestra | F♯ Major | 1 | 2B | 78 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Imple superna gratia | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | A♭ Major | 3 | 4B | 78 BPM | ||
Fanfare from "L'Eventail de Jeanne", M. 80: Allegro moderato | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 51 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Sanft schloß Schlaf dein Aug'" | Richard Wagner, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam | Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony Orchestra | A Minor | 0 | 8A | 79 BPM |
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