"Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio" by Tylman Susato, L'Arpeggiata, Christina Pluhar was released on 2001. With Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 2 out of 100. Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio by Tylman Susato, L'Arpeggiata, Christina Pluhar to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danserye: Basse danse: No. 5. La morisque | László Czidra, Tylman Susato, Camerata Hungarica | F Major | 4 | 7B | 119 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Courante | Edward Martin and Paul Berget | A♭ Minor | 0 | 1A | 60 BPM | ||
Dansereye (1551): Den Hoboeckendans | Tylman Susato, New London Consort, Philip Pickett | F Minor | 2 | 4A | 130 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Fantasia chromatica | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 69 BPM | ||
Contrapunto Primo di B.M. | Vincenzo Galilei, Lynda Sayce, Matthew Spring | G Minor | 0 | 6A | 75 BPM | ||
Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM | ||
Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM |
Section: 0.48854970932006836
End: 0.49428510665893555