P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: VIII. G Minor' came out on August 1, 1995. The duration of The Short-Tempered Clavier: VIII. G Minor is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Short-Tempered Clavier: VIII. G Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: VIII. G Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Short-Tempered Clavier: VIII. G Minor by P.D.Q.Bach, Christopher O'Riley having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Girls Love Liars | Hollers Gang | E Major | 1 | 12B | 50 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Transition_Corral Nocturne | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | C Major | 0 | 8B | 83 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM |
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