Riccardo Drigo, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's 'La Flûte magique: 2. Scène I et danse villageoise' came out on May 24, 1990. With this song being about 5 minutes long, at 5:15, "La Flûte magique: 2. Scène I et danse villageoise" by Riccardo Drigo, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Bonynge, Orchestra of the Royal Opera House, Covent Garden's "Minkus-Delibes: La Source / Drigo: La Flûte magique" album is number 36 out of 48. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, La Flûte magique: 2. Scène I et danse villageoise is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Flûte magique: 2. Scène I et danse villageoise by Riccardo Drigo, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burgmuller: Douce Plainte | Franz Burgmüller, SoonHwon Kwon | G Minor | 3 | 6A | 104 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
6 Airs Variés, Series I, Op. 89: No. 1, Thème de Pacini | Lawfame Violin | F Major | 1 | 7B | 96 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Fee des Lilas (Variation VI) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | C Major | 3 | 8B | 116 BPM | ||
Paquita/Jewel Variation | Kim Ji Hyun | E♭ Major | 1 | 5B | 120 BPM | ||
On the Beautiful Blue Danube (Op. 314) (Improv) | Rich Smith | D Major | 1 | 10B | 94 BPM | ||
Tendu Centre (From "The Talisman" - Prologue - Pas de Deux - Variation of Niriti) | Bruno Lawrence Raco | A Minor | 4 | 8A | 103 BPM | ||
Battement fondu in C-Minor, ballet "Egyptien", Teil 1, variation Fille | Alexandre Luigini, Konstantin Mortensen | C Major | 1 | 8B | 67 BPM |
Section: 1.0746078491210938
End: 1.0803370475769043